All categories are subject to the existing basic agreement and the television broadcasting agreement. As part of the television agreement, actors and background actors are covered for their work on the shows that signed the SAG-AFTRA television agreement. As part of the television agreement, there is a required quota of 21 substantive actors, and for all non-union actors who are hired, and the 22nd and over productions of substantive actors should submit the corresponding report by Tft Hartley, accompanied by a headshot and a CV. Unlike the SAG agreements for the film (where everything is determined by the budget), prices in the world of television are determined by the number of episodes you will create and, in most cases, by the length of the episode. If you`re looking for a SAG short film contract, this is probably the right place to start. This agreement also requires that the remains be paid in accordance with subsequent guidelines and tariff calculations in accordance with the basic agreement, as soon as the residual requirements are met and payment is to begin. For new media projects under $250,000 (but more than $50,000), you expect to pay a minimum of $125 per day to performers. As with other low-budget agreements, there is only one de day player rate. Unlike SAG fares for Class A, you have to pay a little more if New York is one of your cities, which is why most of you opt for the first deal. The first usage rates are: As with most SAG agreements, the more time you book, the less you have to pay per day.
When a company becomes a signatory, it accepts the working conditions of professionals represented, protected and conservative under basic contracts. These include: the prices of the main actors on a daily and weekly basis under this agreement are set at 35% of the scale of the basic agreement. Under this agreement, the signatories are contractually obliged to cooperate with the main players of SAG-AFTRA and up to a maximum of 30 people for the background. The residues are based on formulas that take into account, for example. B of the contract that came into force during the year, the production time, the mode of production and the market on which the product appears. All performers recruited or valued under a main performance agreement whose performance remains in the finished product are entitled to leftovers. The substantive actors do not receive residues and are not entitled to leftovers, unless they are revalued as lead actors. Now let`s take a closer look at appointment prices. If you`re working with players who aren`t in the guild, don`t worry. Under this agreement, these players can, as with most SAG agreements, work with a Tft-Hartley agreement.
Once these issues are decided, a collective agreement is reached and both the employer and the union are required to comply with that agreement. Hence the system that the industry has for collaboration with SAG-AFTRA members. And unlike other SAG AFTRA theatrical agreements, you don`t need to provide theatrical performance as part of this agreement. Today, almost a hundred years later, SAG-AFTRA is still committed to organizing all work under their jurisdictions, negotiating the best wages, working conditions, health and retirement services, creating employment opportunities, enforcing contracts and protecting SAG-AFTRA members from unauthorized use of their work.